Information and Action Potentials

When we talked about the rest­ing cell mem­brane poten­tial, we men­tioned that they fig­ured out the volt­age of a neu­ron by stick­ing a micro­elec­trode onto the mem­brane.  We could study the gen­er­a­tion of AP’s in neu­rons with the infor­ma­tion from these probes. Even­tu­ally some­one thought it would be inter­est­ing to stick this into the sen­sory neu­ron of an ear so we could under­stand how the sen­sory neu­rons of your ear respond to VOLUME. The prob­lem is there’s not a lot of vol­un­teers ask­ing the researchers to stick these things into their body. Also, peo­ple will get mad if we do this on mon­keys or even dogs, so in this study, it’s placed in the sen­sory neu­rons of a moth. It doesn’t mat­ter if we study this in a moth, mon­key or dog, it all works the same way.

The spikes are actual record­ings from a sen­sory neu­ron in the ear of a moth. In (a) the sound level is very close to the min­i­mum nec­es­sary to bring the neu­ron to thresh­old and ini­ti­ate action poten­tials. In (b) the sound has been increased by 7 deci­bels, in © by 15 deci­bels, and in (d) by 23 deci­bels. A period of 100msecs is indi­cated for pur­poses of com­par­i­son; note how the num­ber of spikes per unit of time increases as the sound level increases.

On the right: Each of these ver­ti­cal blips is an Action Poten­tial.  In fig­ure A, they play a very low vol­ume sound and you could see a cer­tain fre­quency of APs. In fig­ure B they raise the vol­ume and the fre­quency increases. In fig­ure C they raise the vol­ume more. The way our sen­sory neu­rons tell the inten­sity of sound (vol­ume) is by the fre­quency of the action poten­tials they send. As the sound gets louder, the fre­quency increases. We know there’s a limit to these action poten­tials because we just learned that neu­rons can fire off a max­i­mum of 100 APs/second due to the refrac­tory period. That’s why if you’re next to a jet engine plane, and another jet engine comes next to you, you’re not going to be able to tell a dif­fer­ence because the stim­u­lus is already max­ing out the fre­quency of action potentials.

Hear­ing: If you could hear some­one talk­ing, that means the voice is loud enough to gen­er­ate action poten­tials in the sen­sory neu­rons of your ear. If they raise their voice, that causes an increase in the APs to your brain. If they lower their voice into a whis­per, the fre­quency decreases. If they lower their voice to the point where you can’t hear them, then that means you’re not even gen­er­at­ing ONE action poten­tial. So if you can’t hear a sound, it doesn’t mean there’s no sound in the room, it means the sound is too soft for you to hear.

Dur­ing a hear­ing test, they give you head­phones and play sounds and ask you if you could hear it. If they play a sound a nor­mal per­son should be able to hear but you can’t, that means your hear­ing is not nor­mal. This is the con­cept of a thresh­old stim­uli. We know what a nor­mal thresh­old sound is for a per­son to hear.

Light: The same goes for LIGHT. If your eyes are not able to see at the nor­mal thresh­old of light, then your vision is not normal.

Touch: This includes touch too. If you’re hav­ing a pic­nic on the grass and you notice an ant on your skin and you won­der how you didn’t even feel it. That’s because the weight of the ant is so light that it couldn’t even trig­ger ONE action potential.

Whether it’s the loud­ness of a sound or the bright­ness of light or touch, this is how sen­sory neu­rons work.  Motor neu­rons work the same way as well.

Try this: Gen­tly put your hands up under the desk. Now slowly try to lift it. Do you notice how your mus­cle is get­ting stronger and stronger? We increase the strength of our mus­cles by increas­ing the fre­quency of the AP’s. The higher the fre­quency, the greater the intensity.